Papers

//PAPER//BOOK CHAPTER//TALK//REPORT//THESIS//POSTER//

2021

_{^{keywords: acoustical ecology, mosquito behaviour, mosquito flight-tone, mating swarms, long-range-hearing, speciation, glottal flow model, voice synthesis, science epistemology, art-science performance}}

• //PAPER//
  Feugère, L., Roux, O., Gibson, G. (2021),
  Behavioural measurements of hearing-sensitivity in swarming Anopheles coluzzii mosquitoes reveal an unprecedentedly low threshold,
  bioRxiv 2021.09.13.460025
  https://doi.org/10.1101/2021.09.13.460025v1
  _{^{(Abstract, PDF, Raw data, Code and processed data)}}

• //PAPER//
  Perrotin, O., Feugère, L., d’Alessandro, C. (2021),
  Perceptual equivalence of the Liljencrants-Fant and linear-filter glottal flow models,
  The Journal of the Acoustical Society of America, 150, 1273-1285 (2021)
  https://doi.org/10.1121/10.0005879
  _^(PDF)

• //TALK//
  Mittal, R., Seo, J. H., Feugère, L. and Gibson, G. (2021), Decoding the biomechanics of flight-tone based acoustic communication in mosquitoes.
  In: 20th HFSP Awardee meeting, 5-8 Jul 2021, online event.
  _^(Abstract)

• //PAPER//
  Feugère, L., Gibson, G., Manoukis, N. C., Roux, O. (2021),
  Mosquito sound communication: are male swarms loud enough to attract females?
  J. R. Soc. Interface 18: 20210121. 20210121
  https://doi.org/10.1098/rsif.2021.0121
  _{^{(PDF, Supplemental, Code and processed data, Raw data)}}

• //REPORT//
  Feugère, L., Gibson, G., Manoukis, N. C., Roux, O. (2021),
  Supplementary materials. from Mosquito sound communication: are male swarms loud enough to attract females?
  The Royal Society. Journal contribution.
  https://doi.org/10.6084/m9.figshare.14354689.v1
  _^(PDF)

• //BOOK CHAPTER//
  Feugère, L., Gibson, G., Noûs, C. (to be published),
  Comment l’entomologie et la musique peuvent se nourrir l’une de l’autre : le cas de la communication acoustique des moustiques, in Les insectes et la musique, B. Lassauzet et A. Montandon (Editeurs)
  (_{^{Ask for a private preprint copy}})

2020

_{^{Keywords: acoustical ecology, mosquito behaviour, mating swarms, long-range-hearing, speciation, science epistemology, art-science}}

• //TALK//
  Feugère, L. and Gibson, G.,
  Comment l’entomologie et la musique peuvent se nourrir l’une de l’autre: le cas de la communication acoustique des moustiques,
  Journée d’études : « Les insectes et la musique », 17 Sep 2020, Clermont-Ferrand, France.
  _^(Abstract)

• //TALK//
  Gibson, G., Feugère, L. , Manoukis, N. and Roux, O.,
  Do female mosquitoes detect and locate male swarms by attraction to the sound or smell (pheromones) of male aggregations?
  Fourth Research coordination meeting on “Mosquito Handling, Transport, Release and Male Trapping Methods”, 14-18 Sep 2020, Vienna, Austria (videoconference).

• //TALK//
  Feugère, L. , Gibson, G., Manoukis, N. and Roux, O.,
  Les essaims de moustiques ont-ils une puissance sonore suffisante pour être localisables à distance par les femelles ?
  Behaviour research-group meeting (IRD), 18 Jun 2020, Montpellier, France.

2019

_{^{Keywords: acoustical ecology, mosquito behaviour, mating swarm, long-range-hearing, speciation, digital musical instruments, singing synthesis}}

• //TALK//
  Feugère, L., Gibson, G. and Roux, O.,
  Long-range hearing of Anopheles coluzzii in the vicinity of mating swarms.
  Mosquito Research – From Sensory Biology to Vector Control 2019, 07 – 08 Sep 2019, UCL Ear Institute, London, UK.

• //TALK//
  Feugère, L , Gibson, G. and Roux, O. ,
  Auditory responsiveness of male and female mosquitoes in the vicinity of mating swarms.
  International BioAcoustic Conference (IBAC) 2019, 31 Aug – 05 Sep 2019, Brighton, UK.

• //TALK//
  Feugère, L. , Gibson, G. and Roux, O.,
  Male-swarm sound as a species-specific cue for females prior to entering the swarm.
  Ento ’19 International Symposium & Annual National Science Meeting, 20-22 Aug 2019, London School of Hygiene & Tropical Medicine, London, UK.

• //TALK//
  Feugère, L. , Gibson, G. and Roux, O.,
  How far away can female mosquitoes hear the flight tones of their conspecific male swarm?
  Le Studium Conferences. New avenues for the behavioral manipulation of disease vectors, 21-23 May 2019, Tours, France.

• //TALK//
  Feugère, L. , Gibson, G. and Roux, O.,
  Mosquito hearing is the most sensitive among arthropods — But is the sound level of a male swarm loud enough to be picked up by the female’s particle-velocity sensor?
  The Journal of the Acoustical Society of America
  https://doi.org/10.1121/1.5101971

• //PAPER//
  C. d’Alessandro, S. Delalez, B. Doval, L. Feugère, O. Perrotin,
  Les instruments chanteurs,
  Acoustique & Techniques, n°88, 36-43, 2019.
  _^(PDF)

2018

_{^{Keywords: acoustical ecology, mating swarm, digital musical instruments, singing synthesis}}

• //PAPER//
  C. d’Alessandro, L. Feugère, O. Perrotin, S. Delalez, B. Doval,
  Le contrôle des instruments chanteurs,
  14ème Congrès Français d’Acoustique (CFA ’18), Le Havre, 23-27 Avril 2018.
  _^(PDF)

• //REPORT//
  Lionel Feugère,
  Acoustical description of field An. coluzzii swarms in Bama, Burkina Faso,
  Institut de Recherche pour le Développement, Février 2018.

2017

_{^{Keywords: computational ethnomusicology, digital musical instruments, gestural control, singing synthesis}}

• //PAPER//
  E. Amy de la Bretèque, B. Doval, L. Feugère, L. Moreau-Gaudry
  Liminal Utterances and Shapes of Sadness: Local and Acoustic Perspectives on Vocal Production among the Yezidis of Armenia
  Yearbook for Traditional Music, vol. 49, 2017, pp. 128–148
  https://doi.org/10.5921/yeartradmusi.49.2017.0129
  _{^{(PDF, Audio files)}}

• //PAPER//
  V. Goudard, H. Genevois, L. Feugère
  Stratégies de contrôle de la hauteur dans les instruments de musique numériques
  Revue Francophone d’Informatique et Musique [En ligne], Numéros, n° 5 – Informatique et musique : Recherche et Création 1, mis à jour le : 28/07/2017, URL : http://revues.mshparisnord.org/rfim/index.php?id=425.

• //PAPER//
  L. Feugère, C. d’Alessandro, B. Doval, O. Perrotin,
  Cantor Digitalis: chironomic parametric synthesis of singing,
  EURASIP Journal on Audio, Speech, and Music Processing, 2017:2
  https://doi.org/10.1186/s13636-016-0098-5
  _^(PDF)
  

2016

_{^{Keywords: computational ethnomusicology, intermediate vocal categories, digital musical instruments, gestural control of vocal articulation, education tool, singing synthesis, glottal flow models}}

• //PAPER//TALK//
  L. Feugère, C. d’Alessandro, S. Delalez, L. Ardaillon, A. Roebel,
  Evaluation of singing synthesis: methodology and case study with concatenative and performative systems
  Proc. Interspeech 2016, 1245-1249.
  _^(Slides)

• //POSTER//
  L. Feugère, C. d’Alessandro, B. Doval, O. Perrotin (2016)
  Cantor Digitalis: Interactive Voice Factory and Digital Instrument of Sung Vowels/Semi-Vowels
  Ecole d’été Sciences et Voix: expressions, usages et prises en charge de l’instrument vocal humain, Porquerolles, Septembre 24-28, 2016.

• //TALK//
  L. Feugère, S. Furniss (2016)
  Acoustique musicale et ethnomusicologie : l’exemple des catégories vocales intermédiaires
  In M. Le Coz, L. Feugère, S. Fürniss, J. Lambert, J. Simonnot, V. Vapnarsky, Séminaire du CREM-LESC : Description, Indexation, Accès aux documents Sonores Ethnomusicologiques : Une nouvelle forme d’inter-disciplinarité ? (Bilan de l’ANR DIADEMS, 2013-2016), Nanterre, May 23rd, 2016

• //TALK//
  J. Simonnot, T. Fillon, G. Pellerin, J. Pinquier, L. Feugère, and E. Lechaux (2016)
  The web platform Telemeta: New tools and perspectives for use of ethnomusicological sources
  ICTM Studygroup Historical Sources Paris 2016, March 9-13, 2016, Paris.

• //REPORT//
  Lionel Feugère (2016)
  Survey of rules between perceptive parameters and low-level synthesis parameters of LF glottal flow model, and application to Cantor Digitalis
  LIMSI-CNRS, Nov 2016

2015

_{^{Keywords: computational ethnomusicology, intermediate vocal categories, digital musical instruments, singing synthesis, acoustic feature extraction}}

• //PAPER//
  L. Feugère, C. d’Alessandro (2015),
  Contrôle gestuel de la synthèse vocale. Les instruments Cantor Digitalis et Digitartic (Gestural control of voice synthesis: the Cantor Digitalis and Digitartic instruments) Traitement du signal, 32(4), 417-442, 2015.
  https://doi.org/10.3166/TS.32.417-442
  _^(PDF)

• //REPORT//
  L. Feugère, C. d’Alessandro (2015),
  Cantor Digitalis: Evaluation of Performative Singing Synthesis LIMSI, CNRS, Internal report

• //PAPER//TALK//
  L. Feugère, B. Doval, M.-F. Mifune (2015),
  Using pitch features for the characterization of intermediate vocal productions
  5th International Workshop on Folk Music Analysis (FMA), Paris, June 10-12, 41-48, 2015. ISBN 979-10-95209-00-3
  _^(PDF)

• //TALK//
  L. Feugère, M.-F. Mifune, B. Doval (2015)
  The sound continuum between speech and song
  In L. Feugère, S. Fürniss, J. Lambert, E. Lechaux, M.-F. Mifune, G. Pellerin, J. Pinquier, J. Simonnot, V. Vapnarsky, A. Monod Becquelin, M. Chausson et C. Becquey. Round table on Diadems program. 23rd International Council for Traditional Music (ICTM) Colloquium “Between Speech and Song: Liminal Utterances“, May 20-22, 2015, Nanterre.

• //REPORT//
  L. Feugère (2015)
  Analyse de productions vocales sur des documents sonores ethnomusicologiques : caractérisation de catégories vocales intermédiaires basée sur la distribution des notes selon leur durée et développement d’outils
  LAM-d’Alembert, Rapport de fin de contrat, projet DIADEMS, July, 2015.

2014

_{^{Keywords: gesture-control audio synthesis, digital musical instruments, singing synthesis, computer orchestra, digital choir}}

• //PAPER//
  C. d’Alessandro, L. Feugère, S. Le Beux, O. Perrotin, A. Rilliard, Drawing melodies : Evaluation of Chironomic Singing Synthesis, J. Acoust. Soc. Am., 135(6), 3601-3612, 2014.
  https://doi.org/10.1121/1.4875718
  _{^{(PDF Copyright (2014) Acoustical Society of America. This article may be downloaded for personal use only. Any other use requires prior permission of the author and the Acoustical Society of America.)}}

• //PAPER//TALK//
  V. Goudard, H. Genevois, L. Feugère, On the playing of monodic pitch in digital music instrument, 40th International Computer Music Conference (ICMC) joint with the 11th Sound & Music Computing conference (SMC), Athens, September 14-20, 2014, 1418-1425.
  _^(PDF)

• //PAPER//POSTER//
  L. Feugère, C. d’Alessandro, Rule-based performative synthesis of sung syllables, Proceedings of the International Conference on New Interfaces for Musical Expression, London, United Kingdom, June 30 – July 03, 2014, 86-87. ISBN: 978-1-906897-29-­1

• //REPORT//
  L. Feugère, C. D’Alesandro (2014), Gesture analysis of voice synthesis chironomy, LIMSI, CNRS, Internal report

2013

_{^{Keywords: gesture-control audio synthesis, digital musical instruments, singing synthesis, acoustic phonetics, digital choir}}

• //THESIS//TALK//
  L. Feugère (2013), Gestural control of singing voice synthesis by rules and musical applications, Pd. D. thesis supervised by Christophe d’Alessandro, Université Pierre et Marie Curie (UPMC), 26/09/2013
  (_{^{Related audio-visual files ; 2-pages french abstract}})

• //PAPER//BOOK CHAPTER//TALK//
  L. Feugère, C. d’Alessandro, B. Doval
  Performative voice synthesis for edutainment in acoustic phonetics and singing: a case study using the “Cantor Digitalis”
  5th International ICST Conference, INTETAIN, Mons, Belgium, 03/07-05/07, 2013. In Intelligent Technologies for Interactive Entertainment, Vol. 124, 169-178, 2013, Revised Selected Papers. Springer 2013 Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering. ISBN 978-3-319-03891-9.
  _^(postprint)

• //PAPER//TALK//
  L. Feugère, C. d’Alessandro
  Digitartic: bi-manual gestural control of articulation in performative singing synthesis
  13th International Conference on New Interfaces for Musical Expression, Daejeon, Korea Republic, May 27-30, 2013, 331-336. ISSN 2220-4806.
  _^(postprint)

• //PAPER//
  D’Alessandro, N., d’Alessandro, C., Feugère, L., Astrinaki, M., Wang, J., Perrotin, O., Pon, A., Doval, B.
  Vox Tactum Meets Chorus Digitalis: Seven Years of Singing Surfaces
  13th International Conference on New Interfaces for Musical Expression, Daejeon, Korea Republic, May 27-30, 2013, 331-336. ISSN 2220-4806.

2012

_{^{Keywords: gesture-control audio synthesis, digital musical instruments, computer orchestra, singing synthesis}}

• //PAPER//TALK//
  L. Feugère, C. d’Alessandro, Digitartic : synthèse gestuelle de syllabes chantées, Journées d’Informatique Musicale (JIM 2012), Mons, Belgique, 09/05-11/05, 2012, 219-225. Unreferenced proceedings available online.

• //PAPER//TALK//
  S. De Laubier, G. Bertrand, H. Genevois, V. Goudard, B. Doval, L. Feugere, S. Le Beux, C. d’Alessandro, OrJo et la Méta-Mallette 4.0, Journées d’Informatique Musicale (JIM 2012), Mons, Belgique, 09/05-11/05, 2012, 227-232. Unreferenced proceedings available online.

• //REPORT//
  L. Feugère, S. Lebeux, C. d’Alessandro, OrJo : développement d’instruments virtuels sur la synthèse vocale (LIMSI-CNRS), Rapport de fin du projet, 2012.

2011

_{^{Keywords: gestural singing, digital musical instruments, computer orchestra, singing synthesis, digital choir}}

• //PAPER//TALK//
  S. Le Beux, L. Feugère, C. d’Alessandro, Chorus digitalis : experiment in chironomic choir singing, 12th Annual Conference of the International Speech Communication Association (INTERSPEECH 2011), Firenze, Italy, August 27-31, 2011, 2005-2008. ISSN 1990−9772.
  ^_(PDF)

• //PAPER//POSTER//
  L. Feugère, S. Le Beux, C. d’Alessandro, Chorus digitalis : polyphonic gestural singing, 1st International Workshop on Performative Speech and Singing Synthesis (P3S 2011), Vancouver (Canada), March 14-15, 2011, 4p. Unreferenced printed proceedings.
  ^_(PDF)